It's a fantastic way for an unscrupulous person to shift a deck with a worn out playback head as the buyer has no way of inspecting it prior to purchase. PS I'd recommend NOT sourcing a cassette deck via Ebay. I only mention "hot" recordings as being a problem due to a lack of headroom on the playback electronics. The playback electronics are capable of reproducing cassette content up to 21kHz (-3dB point relative to a -20dB reference recording with a Metal tape), assuming it's there in the first place. If the recordings aren't too "hot" then I'd recommend something along the lines of the TEAC V-1050 which is basically a Tascam studio deck without the whistles and bells or 19" rack-mount front. I can't remember which models off-hand, but some of them didn't follow the industry-standard EQ-curve for recording or playback and were overly "toppy" on the playback side with a consequently worse S/N ratio compared to many other cheaper decks on the market. I've never heard of the first brand (Nad? I hear Beavis and Butt-head laughing in the background) and the Sony one may be from around the time their quality plummeted, not to mention it's only a 2-head system (again I think that's only important for recording but some googling told me otherwise).Ī quick word of warning regarding the Nakamichis. I assume this will substantially make my endeavor cheaper.Īs some examples, here's two decks I was looking at: I considered that Ion Cassette 2 PC thing they make but something tells me the deck is going to be cheaply made and I'd be better off using audio line outs with a quality deck rather than USB with a cheap one.Īlso please keep in mind I don't need a dual tape deck since I will not be making copies. I really appreciate any input you guys can give me. I also heard 3 head players are what to look out for but since I am not using the recording function, just the playback, I'd also like to know how much that means to me. I am assuming I will have to go the ebay route, but if I can head to Best Buy or Circuit City that's fine too. I also can't have this break my bank since I am doing this for free I need to spend less than $150 or so. Anyway, I read so much stuff about capscans (sp?) and Dolby HX and other terms I never heard before agreeing to do this. I am going to use the RCA out of the deck into my PC to capture the sound, and I can then check out some good programs to fix up the quality a bit. I was wondering what to look for in regards to the best sound quality possible (without costing me a fortune). These are tapes of songs that never made it anywhere else but cassette. This is not a situation where I am too cheap to buy old albums on CD or MP3. I think the high speed process might have stretched the tape a little.I am working on a project where I will be taking cassettes and putting them on CDs. However, the drawback was that sometimes, the dubbed tape wouldn't play correctly, or would drag. Occasionally, a deck would have a high-speed dub option, so you could record the tracks faster. Pirating didn't start with Napster, sports fans! They were great for doing mix tapes, or, if you were like me and had no money to speak of, for recording a friend's album. I'll have to see if I've lost my touch in being able to judge the right amount of time to fast-forward a tape in order to hit the song I want.Įveryone who bought a jam box or stereo before 1992 or thereabouts had a double cassette deck. I have Lord only knows how many cassettes that I recorded myself in an old cassette carrier! I also still have a working cassette deck and a turntable, too, so I can play most of my old music. My dad had some 8-tracks I wanted to record. That was great if you had a lot of 8-track tapes you wanted to record on to another format. Rarely, a big stereo might have a cassette and an 8-track deck in the same console.
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![]() Mug and Tumbler Heat Press: This heat press machine is 500w high power,and adopts latest sublimation print design to deliver high-quality sublimation transfers.It is designed to easily and efficiently heat transfer your favorite images onto ceramics mugs and straight sublimation tumblers.Įasy to Use: This mug heat press machine can be learned to use in minutes,very friendly to every user even you are beginners.There are only three operation buttons, simply set the temperature and time you need, and let the machine do the rest of the work,then you will get a perfect design on your tumbler. These presses are heat-transfer printers that print with a free glove, so you can ensure your prints are consistent and come out looking great. Our Tumbler Heat Press 20 and 30 oz is the perfect addition to any kitchen. So why not give us a try today? 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Best Budget: MYSUB 20oz Tumber Heat Press Mug Heat Press Machine fits 11oz 16oz 20oz Straight Sublimation Our sublimation tumbler offers the perfect way to share your favorite content with friends and Family at a fraction of the cost of traditional print products. Best Overall: PYD Life 110 V Tumbler Heat Press Machine Blue Mug Press Machine Wentz, who was in Los Angeles at the time with the rest of Fall Out Boy working on the band's major-label debut, From Under the Cork Tree, drove to Las Vegas to meet with the young, unsigned band. Ross and Urie sent a demo to Fall Out Boy bassist Pete Wentz via a LiveJournal account. The four left their educations behind to concentrate on music Ross had a falling-out with his father when he dropped out of college, and when Urie dropped out of high school, his parents kicked him out of the house. Urie has stated that he sang for tips during his time working, thus indicating he had some prestige as a singer. Urie began working at Tropical Smoothie Cafe in Summerlin to afford rent for the band's new practice space. The band, which aimed to feature a lighter and more accessible sound when in comparison to Las Vegas' heavier music scene, signed a recording contract without having performed a live show. Initially, Panic! at the Disco was a Blink-182 cover band. Ross initially was the lead singer for the group, but after hearing Urie sing back-up during rehearsals, the group decided to make him the lead. The quartet soon began rehearsing in Smith's grandmother's living room. They invited friend Brent Wilson from nearby Palo Verde High School to join on bass, and Wilson invited classmate Brendon Urie to try out on guitar. ![]() They both attended Bishop Gorman High School, and they began playing music together in ninth grade. Panic! at the Disco was formed in 2004 in the suburban area of Summerlin, Las Vegas, by childhood friends Ryan Ross, who sang and played guitar, and Spencer Smith, who played drums. History 2004–2005: Formation as rock band and early years On January 24, 2023, Urie officially announced that Panic! at the Disco would disband following the conclusion of the Viva Las Vengeance Tour on March 10 of that year. Panic! at the Disco's seventh and final studio album, Viva Las Vengeance, was released on August 19, 2022. ![]() In March 2018, Panic! at the Disco released " Say Amen (Saturday Night)", the lead single from its sixth studio album, Pray for the Wicked (2018), which was released in June. In December 2017, Weekes officially announced his departure from the band. In April 2015, " Hallelujah" was released as the first single from Panic! at the Disco's fifth studio album, Death of a Bachelor (2016). Shortly thereafter, Weekes reverted to being a touring member once again, resulting in Panic! becoming Urie's solo project. In 2015, Smith officially left the band after not performing live with them since his departure in 2013. The duo recruited guitarist Kenneth Harris and drummer Dan Pawlovich as touring musicians for live performances. Prior to the release of the album, Smith unofficially left the band due to health and drug-related issues, leaving Urie and Weekes as the remaining members. ![]() As a three-piece, Urie, Smith, and Weekes recorded and released the band's fourth studio album, Too Weird to Live, Too Rare to Die!, in 2013. Crawford departed once the tour cycle for Vices & Virtues ended in 2012. The band's third studio album, Vices & Virtues (2011), was recorded solely by Urie and Smith in 2010, produced by John Feldmann and Butch Walker. Weekes was later inducted into the band's lineup as a full-time member in 2010. Ross and Walker subsequently formed a new band, the Young Veins, leaving Urie and Smith as the sole remaining members of Panic! at the Disco.Ĭontinuing as a duo, Urie and Smith released a new single, " New Perspective", for the movie Jennifer's Body, and recruited bassist Dallon Weekes and guitarist Ian Crawford as touring musicians for live performances. Ross and Walker, who favored the band's new direction, departed because Urie and Smith wanted to make further changes to the band's style. The album marked a significant departure from the sound of the band's debut. (2008), was preceded by the single " Nine in the Afternoon". In 2006, founding bassist Brent Wilson was fired from the band during an extensive world tour and subsequently replaced by Jon Walker. Popularized by the second single, " I Write Sins Not Tragedies", the album was certified triple platinum in the US. ![]() Shortly after, they recorded and released their debut studio album, A Fever You Can't Sweat Out (2005). The band recorded their first demos while they were in high school. Following several lineup changes, Panic! at the Disco began operating as the solo project of frontman Urie from 2015 until the project's discontinuation in 2023. Panic! at the Disco was an American pop rock band from Las Vegas, Nevada, formed in 2004 by childhood friends Ryan Ross, Spencer Smith, Brent Wilson, and Brendon Urie. The MPCD is restricted to only implement a few pages, notable PACS.Timings for gear, cockpit opening are based on observation of video evidence.ECS, HYDS and Electrics systems models are simplified and do not accurately follow the schematics for the aircraft.These been validated by comparison with plots from various reports and results are within a tolerance that is acceptable for a desktop simulation. Forces and moments for flaps, gear, stores, have been added based on parameter estimation and by using data from other reports.The aerodynamic model has been adapted to the entire range of the aircraft, Mach 0 to Mach 2.5. The windtunnel data is valid for a clean configuration at Mach 0.6.Modelled ECS, including pressurisation, windscreen temperature, and frosting.External and internal Rembrandt-compatible lighting.These flames are Rembrandt-compatible and adjust to take into account ambient lighting. Modelled hydraulic and electrical systems.In-cockpit engine start (including JFS).Canvas radar and HUD, VSD, TEWS, and MPCD. ![]()
Only 5 percent of organizations remediate a new vulnerability in the first month while those who remain vulnerable leave their organizations open to potentially critical threats like data breach, ransomware, and other serious cyber incidents. Remediating a new vulnerability in the first month sets you apart from the pack and promotes organizational security. Are you a 5-percenter? A 5-percenter is an organization that remediates a new vulnerability within one month of observation. That’s the status quo of vulnerability management and organizations need to take action to change it. This 5 percent rule implies that after an entire year, more than half of the originally vulnerable organizations will remain vulnerable. After analyzing 140 medium, high, and critical software vulnerabilities across over 100,000 organizations around the world with varying rates of remediation at the time of observation, Bitsight found that the average vulnerability remediation rate across organizations is a mere 5 percent per month. Unfortunately, we found that many organizations struggle to implement an effective vulnerability management program. So, vulnerability management programs should be overwhelmingly high-performing and polished, right? Not quite.īitsight studied organizations’ vulnerability management programs by analyzing how quickly – or slowly – organizations remediate the typical vulnerability. Quantitative research from the Marsh McLennan Cyber Risk Analytics Center suggests that vulnerability management may be the single most important thing a cybersecurity leader can implement to effectively and measurably reduce the risk of experiencing a cybersecurity incident. Notwithstanding current risks, vulnerability management programs struggle to keep up. What are organizations doing about vulnerabilities? Here’s the important question: With cyber vulnerabilities rising and presenting increasingly serious risks, are organizations doing enough to fight back? The answer might surprise you. ![]() Ransomware incidents remained high in 2022, up 20% from 2020.“Known Exploited Vulnerabilities” - those vulnerabilities observed to be exploited by malicious actors in the wild - nearly doubled from 2021 to 2022.Vulnerabilities are rising in number: 25,000 in 2022, up 25% from the year prior.The risks presented by vulnerabilities are rising fast: Security vulnerabilities in software, hardware, and devices are rising in number and severity, bringing with them risk of ransomware, breach, and other dangerous cybersecurity incidents. It’s not easy being a cybersecurity leader these days. ![]() Menuing and selecting “exit level” before the level finishes, but late enough that the level end triggers during the fadeout. This is briefly covered in the Dash Rhythm section of the Dashes card. ![]() Land-cancelĪir downlights are automatically aborted shortly after landing on the ground. Taking advantage of how time dilation subtly changes movement. The way supers and attack startup slow the relative timescale for the player. Seam attacksĪttacks can sometimes clean or spread dust via the “seam” between adjacent blocks. The wide-area special attack usable only after the combo meter reaches 100.Ī fast super hitting no enemies, used to clean only surfaces and dustblocks. The two strengths of attack available to each character. Gaining speed via impacting level geometry (groundboost, slopeboost, etc.) or abusing other mechanics (airdash boost/ADB, magnet hijack boost/MHB, etc.) The general sizes and shapes are still roughly what is shown in the album) Attacks on dustblocks and to clean dust on surfaces have some variable range based on the quadrant you are located in etc. Their attack hitbox differences are shown to exact scale in this album (This album is for attacks on enemies only. The 4 characters do have mechanical differences, and they greatly affect our choice for which is used at which points in the TAS. Your attacks can differ when performed in the air or on the ground, and different versions of the attack will be performed depending on your directional keys.Įach attack applies some time dilation only for the player (game time continues normally), and hitting enemies causes hitstop, thus to maximize time, it is almost always better to hit as many enemies in as few attacks as possible, including using the knockback of an attack to push an enemy towards another enemy to hit them both. There are two types of attacks, with heavy attacks dealing 3 times as much damage and hitting a larger area, but their startup time is much longer and they can’t be chained as easily into followup attacks.Īdditionally, enemies cleaned by a heavy attack as the final blow will spread dust on nearby surfaces based on the attack direction. Hitting an enemy or Dustblock in midair cancels your fall, and fully cleaning an enemy restores your aircharges allowing you to air-jump or air-dash again. Your attacks are multi purpose, both serving as combat tools for enemies, as extra reach for cleaning dust on surfaces, and as a mobility tool. Routing where to use Super(s) is one of the primary considerations we had to make when optimizing a level. Once your combo meter reaches 100, your character has charged up a “special attack” (aka super) which cleans dust on surfaces within line of sight, dustblocks and enemies around you in a limited range. The basics of the game are that you have 4 directional keys for movement, a Dash, Jump, and a Light attack, and Heavy attack button.ĭust on surfaces act as collectibles that we must route to gather along our way.Ĭharacters can jump or dash once in midair, downdash to rapidly begin falling, run up walls briefly, climb over ledges, jump and dash off of walls, slide or run along ceilings and slide on slopes. For the Old Vic Theatre he designed in 1955 the sets and costumes for Othello. Among his most brilliant works were the sets and costumes for Helpmann’s production of Rimsky-Korsakov’s opera Le Coq d’Or at the Royal Opera House, Covent Garden (1954), completed at short notice when Chagall withdrew from the commission. ![]() His reputation with both critics and the public was firmly established by 1953 with his designs for Shaw’s The Apple Cart at the Haymarket, London, and Wilde’s A Woman of No Importance at the Savoy. The Tempest opened in May 1951 and was a huge success for Sainthill. As preparation he spent three months studying stagecraft with Michael Northen. ![]() Sainthill’s work attracted the notice of the director Michael Benthall who commissioned him to design The Tempest at the Shakespeare Memorial Theatre, Stratford-on-Avon. In 1950 (Sir) Robert Helpmann asked Sainthill to design the décor for the ballet Ile des Sirènes, which he and (Dame) Margot Fonteyn took on tour. They later lived nearby at 8 Chester Street, with Miller’s mother and sister Kath, and eventually acquired a country cottage at Ropley, Hampshire. Again in London, they rented a house at Belgravia with Rickards and Murray. In 1949 he and Miller sailed for England. He held one-man exhibitions at the Macquarie Galleries in April 1947 and July 1948, and-with Miller-produced books on the Australasian tours by the Ballet Rambert (1947-48) and the Old Vic Theatre Company (1948). to 1945 A.D.’ to the third showing of Theatre Art in Sydney his thirty-nine watercolours were bought by public subscription and presented to the National Art Gallery of New South Wales in 1946. In October 1945 Sainthill contributed ‘A History of Costume from 4000 B.C. They lived at Merioola, Edgecliff, with a group of painters who included Alec Murray, Jocelyn Rickards, Justin O’Brien and Donald Friend. He transferred to the Australian Army Education Service in November 1945.Īfter he was discharged from the army on 23 April 1946 in Sydney, Sainthill joined Miller. Posted (with Miller) to the hospital ship Wanganella in September, he served as a theatre orderly. On 4 March 1943 he enlisted in the Australian Army Medical Corps (Militia) and on 20 May joined the Australian Imperial Force. In the next few months Sainthill designed the costumes for a performance of Giraudoux’s Amphitryon at the Comedy Theatre, Melbourne (1941), and the sets for three of Kirsova’s ballets, staged in mid-1941. Late that year he and Miller returned to Australia in charge of a major exhibition of theatre and ballet designs, brought together under the auspices of the British Council. In London (Sir) Rex Nan Kivell organized an exhibition of these studies at the Redfern Gallery, Bond Street, where Sainthill sold fifty of the fifty-two pictures on show. During the voyage he painted the dancers and choreographers. ![]() An exhibition of his paintings of the dancers and sets led to an invitation to return to London with the company. Sainthill’s interest in theatre design was fired by the Australian tours (1936-39) of Colonel de Basil’s Ballets Russes de Monte Carlo. About this time he met his lifelong partner Harry Karl Tatlock Miller (1913-1989)-a journalist and later an art critic and expert on paintings and antiques-whose connexions and organizing ability were to complement Sainthill’s creative talents. By 1935 Sainthill, as he thenceforward spelt his name, was living in a flat at 24 Collins Street and eking out a living by painting murals in a surrealist style reminiscent of Alcimboldo. At his father’s insistence he worked as a designer for a sandblasting firm in South Melbourne. In 1932-33 he studied drawing and general design at the Applied Art School, Working Men’s College. He read widely, painted and drew, and found his way into theatres and concert halls, where he saw Pavlova, heard (Dame) Nellie Melba, and absorbed performances of Ibsen and Chekhov. A delicate, nervous child, with a stammer that persisted into adulthood (except when talking to children), Loudon contrived to avoid much formal schooling, though he did attend Ripponlea State School for a while. By 1920 the family was living in Melbourne, first at Toorak and then at East St Kilda. Loudon Sainthill, artist and stage designer, was born on 9 January 1918 in Hobart, second of four children of Tasmanian-born parents Willoughby Aveland St Hill, a clerk who became a commission agent, and his wife Honora Matilda, née Horder. ![]() and CIBC Bank USA, provide different products and services. Trust services and investment products are not FDIC insured, not deposits or obligations of, or guaranteed by, CIBC Bank USA or CIBC National Trust Company, and are subject to investment risk, including loss of principal.Ĭommercial real estate products and services offered by CIBC Bank USA and CIBC Inc.ĬIBC Capital Markets is a trademark brand name under which CIBC and some of its subsidiaries, including CIBC World Markets Inc., CIBC World Markets Corp. (a registered investment adviser) all of which are wholly owned subsidiaries of CIBC Private Wealth Group, LLC - and the private banking division of CIBC Bank USA. CIBC Private Wealth Management includes CIBC National Trust Company, CIBC Delaware Trust Company and CIBC Private Wealth Advisors, Inc. Trust services and investment products are offered by CIBC Private Wealth Management. All loans are subject to credit approval. Additional terms and conditions apply.Ĭonsumer and commercial banking products and services are offered through CIBC Bank USA. Visit the EasyPath Banking Lending Areas and Income Limit Chart. Income eligibility requirements and geographic restrictions apply. The loan payment will vary based on the loan amount and term. The APR listed is subject to change at any time without notice. Maximum loan term is 60 months.Ħ The EasyPath Home Improvement Loan is an unsecured loan with a maximum term of 60 months used for home repair or improvement for an owner-occupied single-family dwelling. Income limits do not apply to this product. If loan is in default, funds in CD will be applied against outstanding balance. Loan proceeds are disbursed to CD at time of loan closing and cannot be withdrawn until the loan is paid in full. Negative credit history will not be removed from your credit report as a result of this program.ĥ This is a personal loan, fully amortized and secured by a Certificate of Deposit (CD). ![]() Failure to make monthly minimum payments by the payment due date each month will result in negative information reported to credit reporting agencies, which will negatively impact your credit history. Funds from the CD can’t be withdrawn until the loan is paid in full.įavorable credit results are not guaranteed. The CD will earn interest at the current rate we offer for new CDs for the same term. Maximum loan term is 24 months.Ĥ The funds from the EasyPath Step Loan will be placed in a CD that matches the loan term and amount you borrow. Please speak with your relationship manager or review product listings for more information.ģ This is a personal, unsecured loan for applicants meeting the criteria listed in the EasyPath Banking Loan Lending Areas and Income Limit Chart. Loan Payment will vary based on loan amount and term selected. Failure to make monthly minimum payments by the payment due date each month will result in negative information reported to credit reporting agencies, which will negatively impact your credit history.Ģ Based on the product, the borrower may have options to select loan amount and term on each product that would work for them. Favorable credit results are not guaranteed. ![]() Other restrictions may apply.ġ Loans can assist in establishing a good credit relationship by making regularly scheduled and timely payments. Limit of one loan in each EasyPath category per borrower at any one time. The loan payment will vary based on the loan amount, term, and APR. Check the EasyPath Banking Loan Lending Areas and Income Limit Chart for additional information. Income eligibility requirements and geographic restrictions apply and are subject to change at any time without notice. Important information regarding EasyPath Banking products: The interest rate and annual percentage rate (APR) listed are subject to change at any time without notice. Rates are effective on the 1st day of the month and can change monthly.Loans and lines of credit subject to credit approval. This Variable APR (Annual Percentage Rate) will vary with the market based on the 91 Day Treasury Bill as published on the third Thursday of each month. * APR – Annual Percentage Rate is subject to change and may vary depending on evaluation of credit history, so your rate may differ. Maximum loan amount of $300,000 or up to 75% CLTV Combined Loan to Value (whichever is less)įor higher amounts please contact us at rates.Primary residence must be located in California.You can continually borrow money from your HELOC, and draw on the available funds as you need them during your ten year draw period. ![]() Borrow up to 75% of your home’s value, less any first mortgage balance. A Home Equity Line of Credit allows you to leverage the equity of your home for a wide variety of reasons, from home renovations to college tuition and more. Once you have made your changes, restart Aqua Data Studio. You can change this number to increase your memory to 512MB, 1024MB or larger. ", where ’384’ is equal to the amount of memory allocated to Aqua Data Studio. In either of these files modify the last line which starts with "java -cp.
He has also acted with Parker in Saved!, Pipe Dream and The Portrait of a Lady. Career ĭonovan has appeared in fourteen episodes of the Showtime television series Weeds, which stars Mary-Louise Parker, for which he was nominated for a SAG Award for Outstanding Performance by An Ensemble in a Comedy Series. He joined the off-off-Broadway Cucaracha Theater on Greenwich Street. In 1983, he and his future wife, Vivian, moved to New York City. ![]() He attended American Theater Arts, a combined conservatory and theater company in Los Angeles, where he appeared in the plays Richard's Cork Leg by Brendan Behan and Private Life of the Master Race by Bertold Brecht. He graduated from Crespi Carmelite High School and attended Pierce College for two years. Donovan played Detective Hap Eckhart in Christopher Nolan's psychological thriller Insomnia (2002) and the Protagonist's CIA handler, Fay, in Nolan's science fiction action thriller film Tenet (2020).ĭonovan was born Martin Paul Smith in Reseda, California. He made his writing/directorial debut with the film Collaborator (2011). Donovan also played Peter Scottson on Showtime's cable series Weeds. Donovan played Tom Gordon in Ghost Whisperer. ![]() ![]() He has had a long collaboration with director Hal Hartley, appearing in many of his films, such as Trust (1990), Surviving Desire (1991), Simple Men (1992), Amateur (1994), Flirt (1995), and The Book of Life (1998), starring as Jesus Christ in the latter. Martin Donovan (born Martin Paul Smith August 19, 1957) is an American actor. |